Hagi-yaki sencha set by Kondō Mamoru, Kusugi kiln, Shōwa to Heisei period

€285.00

Six yunomi and a kyusu, all thrown and fired together in the soft, porous clay that makes Hagi-yaki so distinct, in a glaze that shifts between pearl white and a soft, bruised lavender depending on the light. The cups curve gently inward, sized to sit naturally in both hands. The kyusu is low and full, compact but generous, built for loose leaf tea, with a side handle and a ceramic strainer fitted right into the spout. Nothing about the set feels overworked, and the seven pieces read unmistakably as one gesture.

Most vintage Hagi-yaki arrives with a kiln stamp and nothing else, no way to trace who shaped it or when. This set comes with more: an original tomobako signed and sealed by Kondō Mamoru himself, and his own shiori documenting the piece. Paper trails like that rarely survive on tea ware that has changed hands as often as this has. It turns six cups and a teapot into something you can actually place, not just admire.

Six yunomi and a kyusu, all thrown and fired together in the soft, porous clay that makes Hagi-yaki so distinct, in a glaze that shifts between pearl white and a soft, bruised lavender depending on the light. The cups curve gently inward, sized to sit naturally in both hands. The kyusu is low and full, compact but generous, built for loose leaf tea, with a side handle and a ceramic strainer fitted right into the spout. Nothing about the set feels overworked, and the seven pieces read unmistakably as one gesture.

Most vintage Hagi-yaki arrives with a kiln stamp and nothing else, no way to trace who shaped it or when. This set comes with more: an original tomobako signed and sealed by Kondō Mamoru himself, and his own shiori documenting the piece. Paper trails like that rarely survive on tea ware that has changed hands as often as this has. It turns six cups and a teapot into something you can actually place, not just admire.

What makes this Hagi ware tea set special


The up close look and feel

The glaze pools thicker at the rim and thins toward the foot, so each cup carries its own small gradient from milky white to a faint violet blush. Turn one in raking light and the surface breaks into a fine, even web of craquelé across every piece in the set. The clay underneath has a slight warmth to it, and the rims are soft to the lip rather than sharp. The kyusu handle sits at an angle that lands naturally under the thumb.

Charming details

Lift the kyusu lid and the strainer at the spout turns out to be a small cluster of holes fired directly into the clay body, not a separate metal fitting, a mark of more careful Hagi-yaki work. The tomobako lid carries Kondō's own brushed inscription and red seal, the same hand that shaped what's inside. Six cups from a single firing rarely match each other this closely in tone, a sign of a controlled kiln rather than luck.

*Decorative items such as the whisk are for styling
and scale purposes only and not included in the sale

Meet our hagi ware family


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Pages from my journal about the Japanese tea ceremony