Hagi-yaki sencha tea set by Hirose Tanga, Tenpōzan kiln, kyusu and 6 cups with tomobako, late Shōwa

€185.00

Six cups and a teapot, and the whole set reads as one breath. The glaze moves between pale blue-grey and soft salmon pink depending on where the light falls, and a fine web of craquelé runs across every surface.

Nothing is decorated. Nothing needs to be.

Sencha culture in Japan is quieter than the matcha ceremony but no less intentional. It is the daily practice of making something ordinary into something considered. Choosing the right pot, the right cup, the right temperature of water. Hagi ware has been part of that practice for over four centuries, prized for a clay body so porous and alive that the glaze slowly shifts in colour with each use.

A Hagi tea set does not stay the same. It becomes something over time.

Included: original tomobako and original shiori documentation.

Six cups and a teapot, and the whole set reads as one breath. The glaze moves between pale blue-grey and soft salmon pink depending on where the light falls, and a fine web of craquelé runs across every surface.

Nothing is decorated. Nothing needs to be.

Sencha culture in Japan is quieter than the matcha ceremony but no less intentional. It is the daily practice of making something ordinary into something considered. Choosing the right pot, the right cup, the right temperature of water. Hagi ware has been part of that practice for over four centuries, prized for a clay body so porous and alive that the glaze slowly shifts in colour with each use.

A Hagi tea set does not stay the same. It becomes something over time.

Included: original tomobako and original shiori documentation.


What makes this tea set special

The up close look and feel

The glaze has a softness that photographs struggle to capture: a pale celadon blue-grey on the cups that fades toward the rim, and a warmer salmon tone on the teapot body where the clay breathes through.

The craquelé is fine and even, like frost on a window, and will deepen gradually as tea absorbs into the surface.

The cups feel light in the hand and slightly warm to the touch. The teapot sits low and balanced, with a short side handle that keeps the pour controlled. The spout interior is glazed in the same blue-grey as the cup interiors, a detail that only appears when you look inside.

Charming details

Each cup has a kiri-kodai, a small notch cut into the foot ring before firing. This is one of the most distinctive marks of Hagi ware, and its origin is as practical as it is aesthetic: the notch prevents the cup from sticking to the kiln shelf during firing, and over centuries it became a signature of the tradition.

On these cups the notch is clean and deliberate, visible when you turn a cup upside down. The unglazed foot ring beneath it shows the raw Hagi clay, warm ochre and slightly sandy, the one place on each piece where the material is completely exposed.

*Decorative items such as the whisk are for styling
and scale purposes only and not included in the sale

All Hirose items made at Tsubaki-gama Tenpōzan kiln

Meet our other tea ceremony items

Hannah, founder of KAIKO&CO, in a Japanese garden in Japan

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