Aka-raku chawan signed by Kawazoe Juraku with original tomobako box, Shōwa period

€285.00

Red and grey, warm in the hand before you even pour the water. This is a fuyugata, a winter bowl, and the shape tells you that immediately: tall sides that draw upward, walls thick enough to hold heat, a form that closes slightly around the matcha rather than letting it spread. On the table it looks purposeful. In your hands it disappears.

Raku-yaki is the oldest named tradition in Japanese tea ceramics, developed in Kyoto in the sixteenth century specifically for the tea ceremony. Aka-raku, the red variant, gets its colour not from glaze but from the clay itself: iron in the body oxidising during the low-temperature firing, turning the surface to the warm terracotta you see here.

The tradition was never about decoration. It was about what a bowl feels like to hold and drink from, and whether it brings you quietly into the moment.

Red and grey, warm in the hand before you even pour the water. This is a fuyugata, a winter bowl, and the shape tells you that immediately: tall sides that draw upward, walls thick enough to hold heat, a form that closes slightly around the matcha rather than letting it spread. On the table it looks purposeful. In your hands it disappears.

Raku-yaki is the oldest named tradition in Japanese tea ceramics, developed in Kyoto in the sixteenth century specifically for the tea ceremony. Aka-raku, the red variant, gets its colour not from glaze but from the clay itself: iron in the body oxidising during the low-temperature firing, turning the surface to the warm terracotta you see here.

The tradition was never about decoration. It was about what a bowl feels like to hold and drink from, and whether it brings you quietly into the moment.

What makes this chawan special

The up close look and feel

What makes this bowl truly special is that it was never touched by a potter’s wheel. In the raku-yaki tradition, every piece is shaped entirely by hand, a process called te-zukune. This gives the clay a natural, organic feel that sits comfortably when holding it.

Raku clay is fired at a low temperature and stays porous, which means the bowl absorbs warmth quickly and holds it. The foot is left unglazed, showing the raw clay in a clean ring, and the weight sits low enough that the bowl feels settled in both hands.

Charming details

In raku firing, the bowl is removed from the kiln while still glowing and allowed to cool in open air, and those last minutes of cooling determine exactly where the glaze moves.

No two aka-raku bowls come out the same way. The marks on this one are concentrated on one side, which in tea ceremony practice becomes the "front" of the bowl: the side turned toward the guest when the bowl is presented.

*Decorative items such as the whisk are for styling
and scale purposes only and not included in the sale

Meet our other tea ceremony items

A smiling blonde woman in a black shirt standing outdoors in a lush, green Japanese garden with rocks and stone lanterns.

Questions before you buy?

Since my items are one-of-a-kind piece, I want to ensure it reaches you perfectly.

  • Questions about the history or condition?

  • Need a custom shipping quote or shipping outside the EU?

  • Prefer to see more detailed photos or a video?

Reach out to me directly. I'm here to help you find the perfect piece for your home.

✉️ hello@kaikoandco.com
💬 Instagram DM: @bykaikoandco

Pages from my journal