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Sōsaku kokeshi with carved autumn grasses, Takeda Masashi studio, Shōwa period, with tomobako
The body is deep lacquered brown, the colour of old teak in low light. Across the torso, autumn grasses and chrysanthemums are carved in low relief and left in their natural wood tone, so the decoration glows against the dark ground. The head sits directly on the shoulders, smooth and pure black, no neck, no detail. From across the room it reads as a single dark silhouette. Move closer, and the flowers appear.
This piece comes from the hand of Takeda Masashi (武田まさし, 1930 to 2015), one of the most recognised names in sōsaku kokeshi. Masashi worked from Zaō in Yamagata, a mountain region that became a quiet centre for creative kokeshi making in the mid-twentieth century. His studio was known for exactly this: dark lacquered bodies, carved naturalistic relief, and a formal restraint that sets his work apart from the brighter painted styles of other kokeshi traditions.
The body is deep lacquered brown, the colour of old teak in low light. Across the torso, autumn grasses and chrysanthemums are carved in low relief and left in their natural wood tone, so the decoration glows against the dark ground. The head sits directly on the shoulders, smooth and pure black, no neck, no detail. From across the room it reads as a single dark silhouette. Move closer, and the flowers appear.
This piece comes from the hand of Takeda Masashi (武田まさし, 1930 to 2015), one of the most recognised names in sōsaku kokeshi. Masashi worked from Zaō in Yamagata, a mountain region that became a quiet centre for creative kokeshi making in the mid-twentieth century. His studio was known for exactly this: dark lacquered bodies, carved naturalistic relief, and a formal restraint that sets his work apart from the brighter painted styles of other kokeshi traditions.
What makes this Takeda Masashi kokeshi special
The up close look and feel
Technique: dark lacquer over turned wood body, with carved relief decoration left in natural wood tone against the lacquered ground.
The lacquer has mellowed over fifty years into something warmer and less uniform than it started. The carved grasses sit just above the surface, their pale wood showing through the dark ground. The relief is shallow enough that you trace it with a fingertip before you fully see it. The head is solid black and smooth, no paint, no variation. It does not rattle. It sits still in the hand.
Charming details
The tomobako carries the calligraphy title 秋草, akikusa, autumn grasses, which names the decorative theme directly. On the back of the piece is a personal inscription from Kitagaki-san, noting it as a souvenir from Zaō. This passed between people before it came here. That inscription is not something you can source from a catalogue.
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Made by Takeda Masashi (武田まさし, 1930 to 2015)
Studio based in Zaō, Yamagata prefecture
One of the most collected names in sōsaku kokeshi, known for dark lacquer finishes, carved floral relief, and the clean bobbin-head form associated with his work
This piece is signed by Takeda Masaki (武田まさき作)
Included: original tomobako with calligraphy inscription
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Zaō, Yamagata prefecture, Japan
Ca. 1970s to 1980s, Shōwa period
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Height: approx. 19.5 cm
Weight: 280 gram
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Excellent vintage condition.
Glaze and paint intact throughout.
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Wipe with a soft dry cloth only. Water will cause the lacquer to lift and the wood to swell, so never clean with anything damp.
Keep away from direct sunlight and heat sources. In very dry air, older lacquer can crack; a stable room temperature and moderate humidity will keep this piece in its current condition for decades more.
*Decorative items such as the whisk or wooden stands are for styling
and scale purposes only and not included in the sale
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