Sōsaku kokeshi pair signed by Murakami Kenichi, with original tomobako, Shōwa 1970s

€110.00

Two figures, almost perfectly round, with the smallest possible faces. Each one is a child pulled so deep into a winter coat that almost nothing is left visible: two small eyes, a nose, and just enough of a chin to know there is a face at all. The rest is wood, pale and smooth, the natural grain running in quiet lines across the surface. Put them together and they look like they are waiting for something to stop.

Murakami Kenichi came to kokeshi through oil painting, and that shows in how he thought about a subject. Where other makers added decoration, he removed it. These two pieces are among his most recognizable work, a winter child so bundled in a coat that almost nothing human remains visible, and the entire point of the making is that restraint. What you are holding is not a simplified figure. It is a figure from which everything unnecessary has been taken away.

Comes with original tomobako box inscribed 雪の詩 (Yuki no Uta, Poem of Snow).

Two figures, almost perfectly round, with the smallest possible faces. Each one is a child pulled so deep into a winter coat that almost nothing is left visible: two small eyes, a nose, and just enough of a chin to know there is a face at all. The rest is wood, pale and smooth, the natural grain running in quiet lines across the surface. Put them together and they look like they are waiting for something to stop.

Murakami Kenichi came to kokeshi through oil painting, and that shows in how he thought about a subject. Where other makers added decoration, he removed it. These two pieces are among his most recognizable work, a winter child so bundled in a coat that almost nothing human remains visible, and the entire point of the making is that restraint. What you are holding is not a simplified figure. It is a figure from which everything unnecessary has been taken away.

Comes with original tomobako box inscribed 雪の詩 (Yuki no Uta, Poem of Snow).


What makes this kokeshi duo special

The up close look and feel

The wood is the colour of pale birch in winter light, and barely anything has been added to it. Lathe grooves run in horizontal rings across the lower portion of each figure, giving the surface a quiet texture under the fingers.

The face is found rather than displayed, small carved lines set into the curve of the wood, a few strokes that together resolve into a child looking out from inside a coat. Each piece is lighter than it looks.

Held together in one hand they just fill the palm.

Charming details

The title on the tomobako is 雪の詩, Yuki no Uta, poem of the snow. The rounded form is a mino, the traditional Japanese straw coat worn over the head and body in heavy weather, and Murakami used it across his career as a recurring subject: a figure so bundled against the cold that almost nothing human remains visible.

On these two you cannot tell front from back until you find the face. That is not an accident. That is the subject.

*Decorative items such as the whisk are for styling
and scale purposes only and not included in the sale

Meet our other kokeshi

Hannah, founder of KAIKO&CO, in a Japanese garden in Japan

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