Donguri kokeshi by Tamura Chie, acorn girl with autumn leaves, signed, Shōwa period

€85.00

She sits in your hand like a small warm stone. The form is a single unbroken sphere, no neck, no waist, no separation between head and body, just one continuous round shape with a tiny stem at the top and a face tucked quietly into the side. Two round eyes with lashes look out from between painted autumn leaves.

Her maker Chie is one of the few widely recognised female masters in the sōsaku tradition. She is known for translating natural forms directly into wood, and this piece is exactly that: not a doll holding a leaf motif, but a doll that is the thing itself, an acorn that became a girl, or a girl that became an acorn.

Tamura Chie works from Tamura Kogei, a creative kokeshi studio in Shibukawa, Gunma Prefecture. The same studio is also home to Tamura Noboru, one of the most celebrated names in sōsaku kokeshi and a Prime Minister Award winner. I have a kokeshi from him as well, you’ll find it under this page.

She sits in your hand like a small warm stone. The form is a single unbroken sphere, no neck, no waist, no separation between head and body, just one continuous round shape with a tiny stem at the top and a face tucked quietly into the side. Two round eyes with lashes look out from between painted autumn leaves.

Her maker Chie is one of the few widely recognised female masters in the sōsaku tradition. She is known for translating natural forms directly into wood, and this piece is exactly that: not a doll holding a leaf motif, but a doll that is the thing itself, an acorn that became a girl, or a girl that became an acorn.

Tamura Chie works from Tamura Kogei, a creative kokeshi studio in Shibukawa, Gunma Prefecture. The same studio is also home to Tamura Noboru, one of the most celebrated names in sōsaku kokeshi and a Prime Minister Award winner. I have a kokeshi from him as well, you’ll find it under this page.


What makes this kokeshi special

The up close look and feel

The warm amber tone of the wood glows through the painted surface wherever the lacquer catches light. Up close the leaves have depth and variation: greens that shift toward yellow at the edges, warm browns layered underneath.

The face is very friendly, two round eyes with painted lashes sitting low on the sphere, and the effect is less like a doll's face and more like a creature peeking out from inside the wood. The small dark square base gives the piece somewhere to land without interrupting the form.

Charming details

The stem at the top is not painted on but turned from the same piece of wood as the body, a single unbroken form from base to tip. Most kokeshi have a separate head joined to a cylindrical body. This piece has neither: body and head are one continuous sphere, which required a different approach to the lathe entirely.

*Decorative items such as the whisk are for styling
and scale purposes only and not included in the sale

All kokeshi from Studio Tamura Kogei

Meet our other kokeshi

Hannah, founder of KAIKO&CO, in a Japanese garden in Japan

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