Traditional dentō Yajiro kokeshi pair signed by Inoue Harumi with chrysanthemum motif, Shōwa period

€165.00

Two figures, held together in one hand. They clearly belong to each other, and yet if you look at them side by side something is slightly different in each face, a line placed a fraction differently, an expression that is almost but not quite the same. The chrysanthemum on each body is bold and graphic, a wide explosion of red petals that fills most of the torso. At a distance it reads as decoration. Close up it is a very confident hand.

Inoue Harumi learned to make kokeshi from her parents. Her mother Yukiko was herself trained within the Yajiro lineage, and if you look at Harumi's faces you can see where they came from: the same careful restraint, the same particular placement of the features. This is what craft knowledge that passes through families actually looks like. Not a copied style but a sensibility absorbed over years, made visible in every brushstroke.

Two figures, held together in one hand. They clearly belong to each other, and yet if you look at them side by side something is slightly different in each face, a line placed a fraction differently, an expression that is almost but not quite the same. The chrysanthemum on each body is bold and graphic, a wide explosion of red petals that fills most of the torso. At a distance it reads as decoration. Close up it is a very confident hand.

Inoue Harumi learned to make kokeshi from her parents. Her mother Yukiko was herself trained within the Yajiro lineage, and if you look at Harumi's faces you can see where they came from: the same careful restraint, the same particular placement of the features. This is what craft knowledge that passes through families actually looks like. Not a copied style but a sensibility absorbed over years, made visible in every brushstroke.


What makes this kokeshi special

The up close look and feel

The chrysanthemum on a Yajiro kokeshi looks different from any other tradition: one wide, outward-facing bloom seen from directly above, petals fanning in all directions from a pale centre, filling the lower body like a burst of light.

The faces are done in a few precise strokes: the hair in black, a small suggestion of features, horizontal lines at the sides of the head in red. The wood has a warm wax finish, smooth in the hand, lighter than it looks.

Charming details

Harumi signs her work in hiragana, はる美, which is unusual. Most kokeshi makers use kanji for their signatures, the way you would sign a formal document. Hiragana reads softer, more personal, closer to the way you would write a name in a letter to someone you know.

Turn the two bases over side by side and the signatures are nearly identical, written from the same hand on the same day. Then look back at the faces. They are almost the same, and not quite.

*Decorative items such as the whisk are for styling
and scale purposes only and not included in the sale

Meet our other kokeshi

A smiling blonde woman in a black shirt standing outdoors in a lush, green Japanese garden with rocks and stone lanterns.

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