Large sōsaku kokeshi by Tamura Noboru, 28cm high, keyaki grain body with leaf motifs and burnt stripe decoration, Shōwa period

€225.00

The grain of the wood is doing most of the work here. Tamura Noboru turned this piece of keyaki so the annual rings wrap around the body in concentric arcs, one layer visible through the next, the whole surface reading as landscape rather than material. The leaf motifs painted on the body sit inside that grain rather than over it. The burnt stripes at the collar, head and base mark the transitions the way a line drawing marks a contour.

Tamura Noboru is one of the most recognised names in sōsaku kokeshi, the tradition of creative artist-made kokeshi that emerged in the mid-twentieth century as makers began working outside the strict regional styles. He received multiple awards across his career, including the Prime Minister Award, Japan's highest recognition in traditional craft.

Noboru works from Studio Tamura Kogei, a creative kokeshi studio in Shibukawa, Gunma Prefecture. The same studio is also home to female kokeshi maker Tamura Chie, whose work under the name Chiei Saku has its own devoted following among collectors. I have kokeshi from her as well, you’ll find it under this page among the related items.

The grain of the wood is doing most of the work here. Tamura Noboru turned this piece of keyaki so the annual rings wrap around the body in concentric arcs, one layer visible through the next, the whole surface reading as landscape rather than material. The leaf motifs painted on the body sit inside that grain rather than over it. The burnt stripes at the collar, head and base mark the transitions the way a line drawing marks a contour.

Tamura Noboru is one of the most recognised names in sōsaku kokeshi, the tradition of creative artist-made kokeshi that emerged in the mid-twentieth century as makers began working outside the strict regional styles. He received multiple awards across his career, including the Prime Minister Award, Japan's highest recognition in traditional craft.

Noboru works from Studio Tamura Kogei, a creative kokeshi studio in Shibukawa, Gunma Prefecture. The same studio is also home to female kokeshi maker Tamura Chie, whose work under the name Chiei Saku has its own devoted following among collectors. I have kokeshi from her as well, you’ll find it under this page among the related items.


What makes this kokeshi special

The up close look and feel

The body is wide and barrel-shaped, turned from a single piece of keyaki whose grain runs in visible horizontal bands across the surface.

The burnt stripes at the collar and base are deep and precise, the char sitting cleanly against the natural wood.

In the hand the doll is solid and well-balanced, the lathe work smooth on the body, the contrast between the bare wood grain and the painted surfaces easy to read at any distance.

Charming details

The leaf motifs on the body are small and lightly painted, sitting quietly inside the wood grain rather than competing with it. This is deliberate: in sōsaku kokeshi, the maker selects the wood with the finished piece already in mind, and Tamura Noboru was known for treating the natural grain as the primary decoration.

The burnt stripe decoration on the base is also worth looking at closely: it was made by pressing a tool against the spinning wood on the lathe, burning a rhythm into the surface at exactly the moment of contact. Every stripe is the record of a single decision.

    • Tamura Noboru (田村昇), also known under the pseudonym Chie Tamura (田村千恵)

    • Sōsaku kokeshi artist, active during the Shōwa period

    • Multiple award winner, including the Prime Minister Award (内閣総理大臣賞), Japan's highest recognition in traditional craft

    • Signed on the base: 昇 (Noboru) in black ink, with additional notation in blue ink

    • Known for his distinctive use of keyaki wood grain as a decorative element

    • Shōwa period, ca. 1970.

    • Height: approx. 28 cm.

    • Excellent vintage condition. No cracks, chips or repairs.

    • The painted face and hair lines are vibrant and well-preserved.

    • Minor age-related surface wear consistent with a Shōwa-period piece.

    • Kokeshi should be kept away from direct sunlight, which fades the painted surfaces and can cause the wood to crack over time.

    • Avoid placing near heat sources or in rooms with very low humidity.

    • Dust with a soft dry cloth.

    • Do not use water or cleaning agents on the painted areas.

*Decorative items such as the whisk or stand/plank are for styling
and scale purposes only and not included in the sale

All kokeshi from Studio Tamura Kogei

Meet our other kokeshi

Hannah, founder of KAIKO&CO, in a Japanese garden in Japan

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