(sold) Sōsaku large kokeshi by Okamoto Usaburo, momiji autumn leaves on carved body, Shōwa period

€195.00
Unavailable

Notice: This kokeshi has found a new home. If you are looking for something similar, scroll down.

Item details

This kokeshi is 30 centimetres tall and carries itself like she knows that. Her round head sits oversized on the carved body, hair made of deep brushstrokes, her face reduced to two sweet eyes and a pale dot for the nose. Everything about the proportions is deliberate: the broad ribbed cylinder, the weight of the head above it, the autumn leaves drifting across the carved surface in reds, oranges and greens.

It takes up space in a room, and you want it to.

Sōsaku, creative kokeshi, emerged after the war when Japanese craftsmen broke away from the strict regional traditions and began making what they chose. Okamoto Usaburo was the most important figure in that break: a Prime Minister's Award winner whose work was purchased by Emperor Shōwa, and whose studio in Gunma grew to become the largest producer of creative kokeshi in Japan.

What his studio made was not souvenir work. This piece is evidence of that.

Notice: This kokeshi has found a new home. If you are looking for something similar, scroll down.

Item details

This kokeshi is 30 centimetres tall and carries itself like she knows that. Her round head sits oversized on the carved body, hair made of deep brushstrokes, her face reduced to two sweet eyes and a pale dot for the nose. Everything about the proportions is deliberate: the broad ribbed cylinder, the weight of the head above it, the autumn leaves drifting across the carved surface in reds, oranges and greens.

It takes up space in a room, and you want it to.

Sōsaku, creative kokeshi, emerged after the war when Japanese craftsmen broke away from the strict regional traditions and began making what they chose. Okamoto Usaburo was the most important figure in that break: a Prime Minister's Award winner whose work was purchased by Emperor Shōwa, and whose studio in Gunma grew to become the largest producer of creative kokeshi in Japan.

What his studio made was not souvenir work. This piece is evidence of that.


What makes this kokeshi special

The look and feel up close

At 30 centimetres she has real physical weight in the hand. The carved grooves deepen the warm honey tone of the wood wherever they pull shadow, and you feel the ribbing before you fully see it.

The autumn leaves sit flat against that dimensional surface: reds toward rust, oranges warm, greens further back. Up close the face is simpler than it looks from a distance, two small eye dashes and the faintest nose mark, and somehow that restraint makes it more present.

Charming details

Turn the piece over and you find a red rectangular seal in tensho, the oldest form of seal script, so compressed that the characters read almost as small pictures. This is the Usaburo studio mark, the equivalent of a maker's mark in European ceramics.

The ribbed body was not carved after turning but cut while the wood was still on the lathe, a technique Okamoto Usaburo developed himself.

    • Hand-turned, hand-carved and hand-painted following the techniques developed by Okamoto Usaburo I.

    • Okamoto Usaburo (岡本卯三郎), 1917 to 2009.

    • Founder of Usaburo Kokeshi, Shinto Village, Gunma Prefecture.

    • Began making sōsaku (creative) kokeshi in 1950 after earlier work with artificial stone and metal crafts.

    • Developed techniques of carving and baking to create three-dimensional surface effects, and worked with wood species previously considered unsuitable for kokeshi including keyaki (zelkova) and chestnut.

    • Awards: Prime Minister's Award; Minister of International Trade and Industry Award.

    • His masterpiece Kantsubaki (Camellia in Winter) was purchased by Emperor Shōwa.

    • The studio remains active under family direction, now in its third generation.

    • Signed: red seal stamp (inkan) on base in tensho script.

    • Shinto Village, Shibukawa area, Gunma Prefecture, Japan.

    • Sōsaku (creative) kokeshi tradition, Usaburo studio.

    • Estimated Shōwa to early Heisei period, ca. 1970 to 1990.

    • Height: approx. 30 cm

    • Diameter: approx. 9 cm

    • Weight: approx. 592 gr

    • Very nice vintage condition. No dents, cracks, or repairs.

    • Minor surface wear consistent with her age.

    • Original studio sticker present on base.

    • Keep away from direct sunlight and heat sources, both of which can cause the wood to dry out and crack over time.

    • Do not use water or cleaning products on the painted surface.

    • Dust with a dry soft cloth.

*Decorative items such as the whisk and plank are for styling
and scale purposes only and not included in the sale


Looking for something similar?

I list in small batches, so there may be more in stock than you currently see.

And if I do not have it yet, I source in Japan a few times a year and am always happy to keep an eye out for you specifically.

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Meet our other kokeshi

Hannah, founder of KAIKO&CO, in a Japanese garden in Japan

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